Not every day has to be ‘the day,’ ...

When the Zone Doesn’t Happen: Learning to Walk Away and Just Be

Not every day has to be ‘the day,’ and that’s okay.

There are those days when the drive to capture something extraordinary just isn’t there. Today was one of those days. I hadn’t planned to go out and shoot – I had an errand downtown, so I thought, *Why not? Let’s see if something catches my eye.* Camera in hand, an extra lens in my bag, I set off, ready to dive into the city. But as I walked around, looking for that spark, that invisible thread to pull me into the moment… nothing happened. And while I know I do this because I *choose* to, because it brings me joy, I can’t deny that little voice in the back of my mind: *Will today be the day?* Will I capture the image that changes everything? Will I meet the person who changes the trajectory of my work?

Part 1: The Pressure We Put on Ourselves

It’s strange, really. There’s no deadline, no client breathing down my neck, yet there’s a quiet pressure I sometimes feel when I go out to shoot. It’s the weight of potential – the possibility that the next shot could be *the* shot. The one that captures the magic I’m constantly searching for. But what if today isn’t that day? And even more, what if there’s no such thing as “the shot” at all? It’s a mental game I play, balancing the joy of just wandering with the expectation of discovery. Today, though, nothing felt quite right. The scenes felt flat, the light felt off, and I knew deep down that I wasn’t in the zone.

Part 2: Knowing When to Step Back

As I walked, I realized there’s no shame in stepping back. There are days when inspiration doesn’t strike, and forcing it only drains the joy out of it. When I let go of the pressure to create, I remember why I’m here in the first place: to explore, to see, to just *be.* I reminded myself that photography isn’t my only creative outlet. If the camera doesn’t spark some days, maybe a sketch will. Or perhaps I’ll dive into my zine work, play around with design, or get lost in a good book. Having multiple outlets helps me shift gears and keeps the creativity flowing without the pressure of a perfect result.

Part 3: The Value of Multiple Outlets

I think any creative person must have more than one outlet. Photography is my primary language, yes, but there’s something liberating about letting go of the camera and pouring that energy into something else. It’s a reminder that creativity doesn’t always need to be channeled into one thing. Walking away from a slow photography day doesn’t mean I’m walking away from creativity – it just means redirecting it. And who knows? Stepping back often brings clarity, which might lead me to something even more meaningful the next time I pick up my camera.

So here’s my final thought: some days, the inspiration won’t come, and that’s okay. Walking away doesn’t mean giving up; it means creating room for something new.

Peace

John

John Hendrick || Staff Photojournalist Pepper magazine || UTSA Photography Instructor

Born in the Bronx, New York, and raised in Queens.

John grew up skateboarding in the mid-’80s and into the late ’90s when NYC was the melting pot of pop culture. He worked as a messenger and the Metropolitan Museum of Art. For the past 23 years, John has traveled worldwide and lived abroad in Italy, Spain, and Japan.

https://www.johnhendrick.com
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The Battle with Time

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The Art of Balance